In July 2026, the Church of England published Hope for All Creation, a major new teaching document on the environmental crises. In this article Sarx Founder Daryl Booth welcomes its striking theology of animals while asking whether the Church is prepared to follow that theology into the realities of intensive farming.
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Catholic priest Fr Terry Martin reflects on the Church’s teaching about animals and asks whether it has gone far enough in confronting the realities of factory farming. Drawing on Laudato si’, Catholic theology and his recent correspondence with the Vatican, he argues that animals must be taken more seriously within the Church’s moral life.
In Bong Joon Ho’s film Okja, a young girl called Mija loves a remarkable animal.
Okja is enormous, gentle, intelligent and deeply bonded to her. To Mija, she is not a product, not a unit and not a walking supply of meat. She is a companion. A friend. A beloved creature with habits, fears, pleasures and a life of her own.
But the world around Mija sees Okja differently. Corporate executives, marketers and food producers have another language for her. Okja is not someone to love, but something to sell. Her body is valuable because it can be processed, branded and consumed.
That is the emotional force of the film. It does not need to persuade us that Okja matters. Once we see her through Mija’s eyes, the argument is already won. The painful question is why so many other animals like her remain unseen.
Why does one animal become lovable, mournable and worth saving, while countless others disappear behind words like livestock, pork, beef, poultry and produce?
In this deeply personal and thought-provoking reflection, Dr Daniela Rizzo, Lecturer in Systematic Theology at Alphacrucis University College, explores how childhood concern for a beloved cat became the starting point for a wider theological journey. Challenging visions of salvation centred on escape from creation, she argues for a richer Christian hope rooted in the healing and renewal of all that God has made.
In The Lord of the Rings, J. R. R. Tolkien imagines a world of hobbits, wizards, forests and ancient powers. Among its most memorable creatures are the Ents: tree-like beings who act as shepherds and guardians of the forests.
The most famous of them is Treebeard. When the hobbits Merry and Pippin encounter him, they meet a being whose speech belongs to an older, slower world. His words are not efficient. They do not rush towards usefulness. They grow, like roots beneath the soil, from memory, place and long attention. To speak too quickly, in Treebeard’s world, is almost to fail to speak truthfully.
This is part of what makes the Ents so compelling. They are not voiceless, but their voices do not fit the pace of those around them. They require patience. They require humility. They require listeners willing to be slowed down.
When we look into the frightened eyes of an intensively farmed animal, what do we see?
Speaking at the University of Pennsylvania’s Penn Humanities Forum, the philosopher Slavoj Žižek gives an unsettling answer. We might assume that the question concerns animal consciousness: what does the animal feel, know, fear or understand? But Žižek turns the question around. The deeper question is not only what we see in the animal, but what the animal’s gaze reveals about us. In the gaze of the frightened animal, Žižek says, ‘you see your own monstrosity.’
In Blade Runner 2049, there is a quiet, unsettling scene in which a replicant, an engineered being designed for labour, is told that his memories are not his own. They have been implanted. Manufactured. He is, in every meaningful sense, a product. And yet, as the film unfolds, it becomes increasingly difficult to sustain that description. He feels. He longs. He suffers. He hopes.
The world of Blade Runner 2049 is built on a contradiction: beings who are treated as things, yet cannot help but appear as lives.
A similar tension runs through Ex Machina. Ava, an artificial intelligence embodied in a humanoid form, is confined behind glass, observed, tested, evaluated. The question posed by her creator is clinical: can she convincingly simulate consciousness? But the question that emerges for the viewer is far more troubling: what kind of person can look at a being like this and see only an object?
These films are not really about the future. They are about us. They ask, with disarming clarity, what it is that allows human beings to recognise, or to refuse to recognise, life.
And that question is not abstract. It presses urgently upon us, here and now.
Dr Ellie Atayee-Bennett is part of a growing number of scholars exploring the relationship between religion and veganism, not as separate domains, but as mutually shaping ways of life. Her work challenges the assumption that concern for animals sits at the margins of religious faith, rather than at its heart.
In this interview, she introduces the concept of ‘faith veganism’, a term she developed through her doctoral research and forthcoming book Faith Veganism: Animal Ethics, Sustainability, and Abrahamic Religiosity in the UK. Rather than a lifestyle that sits alongside belief, it describes a way of taking religious commitment seriously in everyday life, shaping how people eat, shop and relate to other creatures.
What follows is a thoughtful and grounded reflection drawn from lived experience as well as theological insight.
On Easter morning, church bells ring and Christians greet one another with ancient words: Christ is risen.
We gather in light after darkness. We speak of life after death. We proclaim hope stronger than the grave.
Yet on the same morning, in the same country, slaughterhouses are operating as usual. Lambs are processed for seasonal demand. Chickens move along mechanised lines. Bodies become units. Units become products. Products become part of the Easter table. For most of us, these realities never meet. Resurrection belongs to church. Slaughter belongs somewhere else.
But what does resurrection mean in a world of slaughterhouses?
In recent years, questions about food, animals and Christian responsibility have moved from the margins to the centre of theological and ethical debate. As industrial farming intensifies, ecological crises deepen, and churches revisit what faithful discipleship looks like in a wounded world, long-standing assumptions about animal use are being re-examined. Christian Inspired Vegetarianism. Humans and Animals in the Divine Plan by Marilena Bogazzi enters this conversation with clarity and theological seriousness, asking whether care for animals belongs not merely to ethical reflection but to the spiritual heart of Christianity itself. Alma Massaro’s reflections on the book offer a careful guide through its scriptural, theological and historical arguments.

